Effect processing, mixing and routing. Theses cards combine hundreds of audio software components with immensely powerful DSP hardware. Its modular structure makes them probably the most versatile music tool available. You determine the systems functionality by simply combining and connecting the.

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This German company has been making ground breaking products for years!Until the introduction of TripleDat in 1996, US Pro Audio users on the PC had only expensivehardware options for professional use or had to 'Make Do' withconsumer products for their professional needs. In 1999 they released PulsarI cards and Scope cards.In 2000 they improved them to Pulsar II and a 14chip Scope card. Steadily improved over time with new software and options,the SCOPE platform is on its way of becoming a living classic.

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It is 2005. Still, there is no other system available that provides somuch functionality, so much sound, and so much creativity in a single integratedpackage.

With v4.0, we have reorganized the SCOPE platform. Luna, Pulsar, andSCOPE have become SCOPE home, SCOPE project und SCOPE professional. A logicalstep forward: This does not only optimize the composition of the range butthe 4.0 software also adds a number of new features and highlights to it

These cards also support G3 and G4 Macs in OS9! While Creamware doesn't recommend using them in systemswith CPU upgrades , they do work within limitations. For example, usingPulsar II (stereo analog I/O) you can have the big mixer, miniverb, stereochorus and stereo delay mixing 6 channels of audio from Logic 6 on a Mac9500/Umax S900 with G3/400 CPU upgrade. The system is slow but works.

The Scope Pro, Scope Project, Scope Homebased DSP Audio Cards are an open DSP platform for synthesis, sampling,effect processing, mixing and routing. Theses cards combine hundreds ofaudio software components with immensely powerful DSP hardware. Its modularstructure makes them probably the most versatile music tool available. Youdetermine the systems functionality by simply combining and connecting theelements you need. These cards allow totally free signal routing betweenall software components, the drivers and even your external gear.

This type of product would not be possible without the use of multipleDSPs that add significant horsepower to your computer. The cards start withthe Scope Home which feature 3 SHARC DSPs.Scope Project features a generous six of thefastest floating-point DSPs available from Analog Devices SHARC. The Scope Pro cards have 14 of these DSPs. This massiveDSP power lets you process your audio in realtime ñ with the precisionand stability of a fine Swiss watch.

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A professional system should be expandable, so that it can adapt to yourfuture needs. All of these cards can be custom-tailored with a range ofoptional DSP expansion boards, I/O options and more than one hundred additionalsoftware plug-ins.

Welcome to your audio future. It's designed to put you a giant leap ahead.To learn more about each product, simply click on it.

Scope HomeScope ProjectScope ProTripleDatXTC Mode

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SCOPE home

Much more than just an I/Oboard, SCOPE home is the perfect solution for entering the world of professionalrecording. Equipped with three DSPs, it provides the uncompromising CreamWareaudio quality and performance for recording, mixing, surround sound, andeffects processing.

SCOPE home integrates with all common sequencers (Cubase, Logic, Cakewalk) thanks to theextensive driver pack providing ultra-low latency, unlimitedand flexible routing of all inputs and outputs, and compatibility with thehuge plug-in library of the SCOPE platform.


NEW in Version 4.0

  • now includes a plug-in pack with 35 high-quality effects
  • now includes the STS-4000 sampler
  • now includes the Modular II synthesizer

Hardware Features:

  • PCI board equipped with 3 SHARC DSPs for PC & Mac
  • analog stereo I/O and digital stereo S/PDIF I/O
  • 24 bit/96 kHz supported by all I/Os
  • Z-Link port connecting to the A16 converter
  • expandable to 36 I/O using the Home Expansion (2xADAT + Zlink)
  • all I/Os utilizable in parallel and at the same time
  • up to 3 boards from the SCOPE range seamlessly cascadable using the S/TDM Bus
  • high-speed drivers for ASIO 2.0, DirectSound, MME, tripleDAT, GSIF, Sound Manager, OMS
  • MIDI interface (in & out)

Highlights:

  • onboard 16/32-channel recording mixer and 16-channel 5.1 surround mixer
  • onboard DSP effects (MasterVerb pro-quality reverb, filters, dynamics, modulation effects, etc.)
  • mixer and effects ready for live use - no latency, for perfect monitoring!
  • integrates external studio gear into native software for live applications
  • unique audio-driver management, suitable for your existing applications

PC requirements: 400 MHz or better, 128 MB of memory, Microsoft WindowsME or better

Mac requirements: G3 B/W, 400 MHz, 128 MB of memory, MacOS 9.x

SCOPE project

With 6 DSPs, SCOPE project presents more resources and more professionaltools to the ambitious producer - for more tracks and powerful mixes withperfect audio quality. Or select a dazzling array of sounds and sophisticatedsynthesis with the Synth & Sampler Pack.

SCOPE project is shipped with either the extensive Synth&SamplerPack or the Mix&Master Pack . Thus, SCOPE project adds top-class soundand flexibility to any native system - for an extremely reasonable price.

NEW in Version 4.0

  • now includes a large plug-in pack (Synth'n'Sampler OR Mix'n'Master Pack)
  • now includes the STS-4000 sampler
  • now includes the Modular II synthesizer

Hardware Features:

  • PCI board equipped with 6 SHARC DSPs for PC & Mac
  • 3 different I/O options:
  • classic: unbalanced analog (RCA), S/P-DIF (RCA), 2 x ADAT
  • plus: balanced analog (XLR), AES/EBU (XLR), 2 x ADAT
  • Z-Link: unbalanced analog (RCA), S/P-DIF (RCA), 1 x ADAT, 2 x Zlink
  • 24 bit/96 kHz supported by all I/Os
  • Z-Link port connecting to the A16 converter
  • all I/Os utilizable in parallel and at the same time
  • up to 3 boards from the SCOPE range seamlessly cascadable using the S/TDM Bus
  • high-speed drivers for ASIO 2.0, DirectSound, MME, tripleDAT, GSIF, Sound Manager, OMS
  • MIDI interface (in & out)

Highlights:

  • full-fledged 24/48-channel mixer for internal and external signals
  • more than 50 exceptional effects, incl. MasterVerb high-end reverb
  • 9 virtual synthesizers: analog, wavetable, vector synthesis and more
  • modular synthesizer featuring more than 140 modules and 80 ready-to-play patches
  • thousands of inspiring sounds
  • STS-4000 professional DSP-based studio sampler
  • live processing with no latency at all, for perfect monitoring
  • 32-bit floating-point processing
  • SCOPE Live Bar for convenient control of the entire setup
  • upgradeable with all plug-ins of the SCOPE Fusion platform

PC requirements: 400 MHz or better, 128 MB of memory, Microsoft WindowsME or better

Mac requirements: G3 B/W, 400 MHz, 128 MB of memory, MacOS 9.x

SCOPE professional

The big SCOPE for the multi-producer who demands unlimitedresources and is not willing to compromise; everything you need for audiorecording - synthesizers and samplers plus mixing and mastering tools inone package. Unlike SCOPE project, SCOPE professional includes both theMix&Master Pack and the Synth&Sampler Pack. This turns SCOPE professionalinto an unprecedented universal and valuable sound tool.

SCOPE professional is a package providing ultimate DSP power plus a setof software that leaves no wish unfulfilled. Uncompromising and incrediblycreative. Be inspired!

NEW in Version 4.0

  • now includes TWO large plug-in packs (Synth'n'Sampler AND Mix'n'Master)
  • now includes the STS-4000 sampler
  • now includes the Modular II synthesizer

Hardware Features:

  • PCI board equipped with 14 SHARC DSPs for PC & Mac
  • 3 different I/O options:
  • classic: unbalanced analog (RCA), S/P-DIF (RCA), 2 x ADAT
  • plus: balanced analog (XLR), AES/EBU (XLR), 2 x ADAT
  • Z-Link: unbalanced analog (RCA), S/P-DIF (RCA), 1 x ADAT, 2 x Zlink
  • 24 bit/96 kHz supported by all I/Os
  • Z-Link port connecting to the A16 converter
  • all I/Os utilizable in parallel and at the same time
  • up to 3 boards from the SCOPE range seamlessly cascadable using the S/TDM Bus
  • high-speed drivers for ASIO 2.0, DirectSound, MME, tripleDAT, GSIF, Sound Manager, OMS
  • MIDI interface (in & out)
Sound

Highlights:

  • full-fledged 48/96-channel mixer for internal and external signals
  • more than 50 exceptional effects, incl. MasterVerb high-end reverb
  • 9 virtual synthesizers: analog, wavetable, vector synthesis and more
  • modular synthesizer featuring more than 140 modules and 80 ready-to-play patches
  • thousands of inspiring sounds
  • STS-4000 professional DSP-based studio sampler
  • live processing with no latency at all, for perfect monitoring
  • 32-bit floating-point processing
  • SCOPE Live Bar for convenient control of the entire setup
  • upgradeable with all plug-ins of the SCOPE F

PC requirements: 400 MHz or better, 128 MB of memory, Microsoft WindowsME or better

Mac requirements: G3 B/W, 400 MHz, 128 MB of memory, MacOS 9.x

TripleDat is now longer available as a newproduct but we do get used ones from time to time .It is available for ScopeCards as TripleDat LE. You can get it as add on software to a current ornew Scope system or as Restore or ScopeFX System Emailus if you're interested in one. The Orginal TripleDat an ISA card thatadds up to 256 virtual tracks, as many as your PC system can play back tracksin real time, all the effects are in real time and available on the mixerwindow with up to 4 effects at once. You then can make your own CDs thatare PQ code ready for the duplicators! The audio card has 18bit stereo audioin and out, sp/diff coxial and optical digital in and out (with optionalAES/EBU digital I/O), remote control for most DAT transports and finallyMIDI in and out for syncing. It can also be used with Scopecards for additional I/O, efxs and more. It'll work on Pentium 166or better systems.

Firewalkers is their plug in suite of 8bandEQ with selectable filters per band, Stereo Graphic Chorus with 6 taps,Graphoc Stereo Flanger, FFT Analyzer, Full Screen/Floating VUs, Signal Generatorand Dynamic Transposing.

OSIRIS is a powerful audio processing package used to restoredegraded or damaged audio material effortlessly, and in real time!In addition to noise elimination processes, integrated X-citer and SubBassmodules are also included to improve dull or 'bass-challenged' archivalrecordings. Or, they can be used to sonically enhance otherwise satisfactoryaudio material. Add life and brilliance to a guitar, or give that kick drumthe extra drive and force you have been looking for.

OSIRIS consists of four main modules:

  • Declicker/Decrackler - used to remove clicks, pops, static crackles and other impulse noise.
  • Denoiser - for the removal of tape hiss, surface noise and other constant noise elements.
  • X-Citer - stimulates the harmonic series of a specified range of excitation frequencies.
  • SubBass - generates sub harmonics from a specified range of excitation frequencies.

Throughout the development of OSIRIS, special attention has beenpaid to keeping any unwanted side effects of the sound restoration and enhancementprocesses to a minimum. Another significant goal was to create a visualrendering of the effects settings, so that the adjustment of the many acousticparameters becomes intuitive, clear and meaningful. We are happy to saythat both these goals have been met.

Cards

OSIRIS gives you the results you want in the shortest possibletime.

XTC and the Host Computer - Background Information

How does Scope XTC 'accelerate' your audio computer?

Each DSP on the XTC card adds a quantity of computing power to your computer.These processors are particularly well suited for computing the XTC instrumentsand effects, and that's precisely what they're used for. This means thatregardless of how many high-quality XTC plug-ins you use simultaneouslythere is no additional load on your host computer - your computer simplyhas considerably more power than before. Of course, there are many thingsgoing on inside your computer that know nothing of the XTC's DSPs. For example,the DSPs do not accelerate ordinary VST or DirectX plug-ins, nor do theyenhance your computer's display or reduce your sound card's latency.

DSP Cards and Latency

Also a DSP card - when it is completely integrated into a native audiosequencer - cannot solve the latency problems of a native system. Delaysare system dependent, and are somewhat greater for XTC plug-ins than forstandard VST plug-ins because the host software must additionally communicatewith the DSP card.

The amount of latency depends on several things: your audio sequencer,the quality of the I/O implementation (XTC I/O daughterboard or anothersound card) and the ASIO driver supplied with your sound card.

In general, latency is a little greater than with normal VST instrumentsand plug-ins as the communication with the DSPs on the card costs some time.And when you use an XTC instrument with an XTC effect following it, thelatency increases again by some degree. However, this is only relevant whenplaying 'live'. And with today's low-latency sound cards thisstill permits live playing without too much delay.

This fact applies not only to Pulsar XTC, but also to any comparableproduct currently available from other manufacturers. However, XTC is theonly fully integrated DSP expansion card to offer the option of mountingsuperior-quality inputs and outputs directly on the card itself (XTCpro,more about this later). When used with one of the XTC I/O daughterboards,Pulsar XTC's latency is approximately 25% less than that of a fast 'foreign'sound card.

Perfect latency-free performance!

Perfect latency-free performance of DSP effects and instruments is possibleonly when a DSP card runs in its own operating system parallel with thehost-based sequencer, as with products such as Home, Project and Pro. Withthese systems, the 'virtual devices' (DSP instruments and effects)perform exactly like their external hardware counterparts. The audio sequencersends MIDI data to the DSP card, where it is processed in realtime (!),and the audio signals are fed to the I/Os with no delay whatsoever.

Latency-free performance: Also with Scope XTC!

ScopeXTC, too, will let you play your XTC instruments entirely delay-free.This is particularly advantageous in live situations, or when recordinglive. For this, a 'Direct Mode' is available in XTCpro,or if one of the optional I/O daughterboards for Pulsar XTC is installed.These daughterboards mount directly on the DSP card, and provide from 20to 28 (depending on the version) superior-quality I/Os. And, naturally,with 24-bit/96kHz support.

The advantages of including an I/O board are obvious. For one, latencyis reduced, making true live recording possible; and for another, by addinga superior-quality I/O system to your computer the presence of another cardbecomes redundant.

By the way: we also offer some very economical I/O daughterboard bundleswith the current Scope software - a very easy way to upgrade to the professionalScopesystem and all its additional possibilities.

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Using XTC with Home, Project or Pro

In its latest software release, XTC operates with Luna II, PowerSampler,Elektra, Pulsar (I or II) or SCOPE Platform cards on the same computer.You can start and use either system, but not both at the same time. However,no matter which system you choose to use, the total number of DSPs and I/Osin the computer will be available to you. In this way you could, for example,install Home as an inexpensive I/O solution for the XTC. All that's requiredis for the cards to be connected over the S/TDM bus.

Using XTC with Sequencers

Sequencer users have waited a long time for this. Finally, there is aDSP solution offering total VST integration - and one which includes notmerely a few modest software modules, but several dozen of the best Scopeplug-ins. XTC opens up a new world of software plug-ins - directly withinyour VST-compatible sequencer. In precisely the same spot where you're usedto finding your native plug-ins. And regardless of which audio card you'veoutfitted your system with. Work the same way you've always worked. Butwith significantly more sound production capacity and much wider sonic possibilities.

Just like the successful Pulsar and Pulsar II DSP systems, XTC is builtupon the revolutionary SCOPE platform. This accounts for XTC's ability tofunction reliably in your system right from day one, as well as for an abundanceof software plug-ins whose equal is not to be found on any other DSP system.And when you're ready for still more, XTC offers a wide range of upgradeoptions. You can expand your XTC with audio I/Os, add further DSP cardsfor more processing power or even upgrade to a full Scope Pro system.

A system like XTC flies or falls on the basis of the software which isavailable for it. The XTC comes with an enormously large, high-quality libraryof effects and virtual instruments. All of these plug-ins run on the DSPsand consume not even a single clock cycle of host CPU time. In effect, thecomputer is 'unaware' of this computation activity and is freeto dedicate its power fully to the computation needs of native-based audiosoftware.

For you, as user, it makes no difference whether you're using a VST oran XTC plug-in. Naturally, you can combine both types if you wish. The onlydifference you'll notice is that you suddenly have much more space withinwhich to realize your ideas.

The XTC studio effects

Pulsar XTC incorporates the effects plug-ins of the high-end SCOPE system.You thus obtain more than 30 new DSP effects within your recording softwareenvironment. The level of computing performance achieved by the XTC hardwarepermits the use of compromise-free 32-bit effects algorithms, guaranteeingfully professional sound quality. The effects library includes the new MasterVerb,eight separate instances of which can be loaded at one time. In additionto the effects which come with XTC, there are many more available from CreamWareand from third-party developers.

Since XTC effects comply with the VST 2.0 specification, they can beeffortlessly automated within your recording software. Remote control viafreely-assignable MIDI controllers is also possible. One way or another,you've got it all under control.

The XTC effect library includes:

  • MasterVerb
  • MasterVerb Classic
  • 4-Pole Filter
  • High Cut Filter
  • Low Cut Filter
  • 4-Band Parametric EQ
  • Chorus
  • Hexa Chorus
  • 4Tap Chorus
  • Harmonic Chorus
  • Flanger
  • Harmonic Flanger
  • Phaser
  • Tremolo
  • Auto-Pan
  • Compressor
  • Limiter
  • Gate
  • Delay
  • Delay L (up to 5 Sek.)
  • Delay LCR
  • Delay LCR L (up to 5 Sek.)
  • Dual Delay
  • Dual Delay L (up to 5 Sek.)
  • Multitap Delay
  • Overdrive
  • Distortion
  • Decimator
  • Dither/Shaper
  • Resonator
  • Ring Modulator
  • Pitch-Shifter
  • E-Reflector
  • Effect Insert Rack

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The XTC instruments - pure inspiration

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XTC includes not only an impressive collection of effects,but also an assortment of extraordinary virtual instruments. You'll findpowerful analog synthesizers, which until now have been available only withthe SCOPE DSP systems - such as the U KNOW 007, the Miniscope and the Inferno.The EDS 8i is on hand as well to provide punchy drum sounds. In addition,there is the new Vectron Player, an instrument with breathtaking soundsbased upon refined vector synthesis.

XTC instruments are fully integrated into the recording software environment,just like VST instruments - including automation, of course. The only differenceis that they are computed on the DSPs and thus leave yourcomputer free for hard-disk recording and native plug-ins. In addition,XTC which has been expanded with one of the I/O boards offers DirectPlay mode, which allows you to play the DSP-based XTC instruments completelyfree of delay - just like any real hardware instrument.

Along with the included synthesizers, XTC enables you to use dozens ofadditional instruments which have been developed for the SCOPE platform.The virtual instrument collection alone makes XTC an uncommonly valuableextension of your studio setup. After all, when have you ever been ableto buy so many synthesizers at one time at this price?

The XTC instrument collection includes:

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  • Miniscope
  • Miniscope MK II
  • Blue Synth
  • EZ Synth
  • Inferno
  • U KNOW 007
  • EDS 8i
  • Vectron Player

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